About Phono Analytica

Founded by Experience.
Built for Forensic Audio.

Phono Analytica was founded by Roberto Ruggeri, an independent forensic audio specialist with more than twenty years of professional experience in sound and audio technology.

The company grew out of a career spanning radio, television, music production, audio post-production and live sound, followed by direct work in forensic audio examination.

That combined experience led to a clear objective: to develop specialist software around the real tasks, decisions and documentation required of the forensic audio examiner.

Roberto Ruggeri

More Than Twenty Years Across Professional Audio

Roberto began his formal audio training in 2003 at SAE Institute in Milan. His professional path subsequently developed across radio, television, music production, audio post-production and live sound.

These different environments gave him practical knowledge of recording systems, signal flow, editing, processing, monitoring, file conversion, transmission and the preparation of audio for different professional purposes.

Rather than coming from a single specialisation, his forensic work is supported by experience gained throughout the wider audio-production chain.

Forensic Audio Examination

Applying Audio Experience to Recorded Evidence

Forensic audio work changed the purpose for which Roberto used his technical experience. A recording is no longer treated as creative material, but as evidence whose characteristics, history and limitations must be examined.

Knowledge of recording chains, acoustic conditions, editing, compression, conversion and previous processing helps him assess why a file sounds and behaves as it does.

The objective is to establish what can be technically observed, measured and documented—and to distinguish those findings from conclusions the available material cannot reliably support.

The Origin of Phono Analytica

Software Conceived from the Examiner’s Point of View

During forensic casework, Roberto identified a recurring contrast. Conventional professional audio applications have generally developed graphical environments intended for fast, frequent use. Forensic software may offer highly specialised capabilities, but its interface can be more austere, fragmented and difficult to navigate.

When functions, parameters, comparisons and exports are distributed across different panels or applications, the examiner spends more time managing the software instead of examining the material.

What He Observed

Specialist Functions with Unnecessary Interface Friction

  • Dense menus, technical panels and separate windows can interrupt the working sequence.
  • Relevant parameters may be difficult to locate at the stage in which they are needed.
  • Repeated checks and exports can require avoidable manual steps.
  • Analysis, comparison and documentation are not always connected within one coherent workflow.
Direct experience
translated into design
What He Decided to Build

Tools Tailored to the Forensic Audio Examiner

  • Applications structured around the actual stages of forensic audio work.
  • Clearer access to settings, comparisons, results and technical exports.
  • Professional functions without unnecessary operational complexity.
  • Software designed for examination and documentation rather than generic audio production.
Roberto Ruggeri in his audio workspace
Roberto Ruggeri — forensic audio specialist
Independent Forensic Audio Practice

Roberto Ruggeri — Audio Forensic Expert

Alongside the development of Phono Analytica, Roberto works independently as a forensic audio specialist on recorded material relating to legal, investigative, corporate and private matters.

His dedicated professional website presents his forensic activity, areas of examination, working approach and services concerning recorded evidence.

Audio Forensic ExpertView the professional profile ↗